http://www.videocritics.net/
Browse Movies: # A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

R || Rise of the Planet of the Apes || Review

Rise of the Planet of the Apes image

Review by John Natsis
August 08, 2011

Before I begin, there is something I need to get off my chest. Rise... of the Planet... of the Apes? I can understand the producers’ desire to link this film with the rest of the series, but I’m sure audiences would’ve made the same connection if it was just called Rise of the Apes. But fear not, because an overly clunky, lame title is by far the worst aspect of this movie. It falls short of replicating the thematic genius of the original, yet wipes the floor with Tim Burton’s ridiculous remake.

Will Rodman (James Franco) is a medical scientist tasked with creating a cure for Alzheimer’s disease, a formula that to date has only been tested on apes. Its success is determined by measuring a primate’s increased intelligence, but after one subject flips out and is killed, Will takes in her baby and raises the chimp as a son. Noticing that his mother has passed the effects of the drug genetically to young Caesar, Will is shocked to see just how extensive the side effects are. Caesar begins to develop a mind far beyond that of any other ape, as well as typically human traits such as empathy and compassion. That development leads to a bond between the chimp and Will’s Alzheimer’s-afflicted father, Charles (John Lithgow).

Although I personally consider him one of the best up-and-coming actors in the business, Franco doesn’t have to extend his acting chops here, nor does on-screen girlfriend Frieda Pinto. The criminally underused Lithgow does well in a small role, but it is Andy Serkis as the man behind the computer-generated Caesar who steals the show. I suppose this was to be expected (he did Gollum, after all) but I was constantly amazed at how brilliantly a human could not only mimic the movement of an animal, but also invoke real audience empathy for what is just an animated image.

The short runtime of the film (approximately 105 minutes) is made possible thanks to some excellent pacing. Certainly, Rise of the Apes is aware of its status as a blockbuster, so almost by definition the movie must move quickly, but this is juxtaposed by the slow, progressive development of Caesar. Realism is thus inserted into an area that I expected to see glossed over by director Rupert Wyatt. Caesar starts out by learning basic life skills, but as he ages, his genetic mutation teaches him complex talents such as intimidation, manipulation, violence and dominance. By the end of the film, he has become the leader of a downtrodden civilisation, spreading his anti-human propaganda for the sake of fulfilling an ambitious plan.

Here we have a film with an ending that is inherently obvious even before the opening credits roll. The joy comes from seeing exactly how it arrives to that conclusion. I was expecting a big, dumb, battle-for-survival movie going in, but Apes remains grounded in the sheer art of storytelling for the most part and saves the final battle for a very enjoyable and climactic set piece. As one friend stated, you almost become a fan of the apes by the third act, if only to see just how they go about their hostile takeover. In fact, even the final scene does not try to be excessive, striking a perfect balance between suspension of disbelief and a grounding in reality.

To those who may not buy into the premise entirely, I assure you that the vast majority of the plot is explained logically, and any sudden escalation of the story is accounted for with reason through a character’s actions or development. As mentioned earlier, Caesar does not immediately become a walking, talking, weapon-wielding ape but instead grows slowly. This is beneficial because it explains the extremities and complexities in his character that have become apparent by film’s end.

The movie also works in certain scenes that pay homage to the original, both in terms of imagery and the shift in power from apes to humans, which is a nice touch. It does not quite match the thought-provoking nature of the 1968 sci-fi masterclass, but adds a cautionary, self-conscious element to the blockbuster that certainly was welcomed by this movie fan. The result is a final product I would not hesitate to recommend.

Rating: 3/4 Stars

Reader Comments

Follow Site


Box Office (09/02/2011 - 09/05/2011)
The Help
Rating: PG-13; Genre: Drama
Our Verdict: N/A
The Debt
Rating: ?; Genre: Action/Thriller
Our Verdict: N/A
Apollo 18
Rating: ?; Genre: Horror/Suspense
Our Verdict: N/A
Shark Night 3D
Rating: ?; Genre: Horror/Suspense
Our Verdict: N/A
Rise of the Planet of the Apes
Rating: PG-13; Genre: Action/Thriller
Our Verdict: 3/4 Stars

Full-Time Site Staff
Jason Venter
Jason Venter
Editor-in-Chief
Ben Lee
Ben Lee
Associate Editor
John Natsis
John Natsis
Associate Editor

Slightly Older Movie Reviews
Crazy, Stupid, Love. artwork sample
Cowboys & Aliens artwork sample
Captain America: The First Avenger artwork sample
Friends with Benefits artwork sample
Winnie the Pooh [2011] artwork sample
Harry Potter and the Deathly Hallows: Part 2 artwork sample



© 2011 VideoCritics
None of the material contained within this site may be reproduced in any conceivable fashion without permission from the author(s) of said material. Opinions expressed on this site are the sole opinions of those posting content and do not necessarily reflect the opinions of VideoCritics, its staff, sponsors or any third parties. For privacy concerns, please review the site privacy policy.
eXTReMe Tracker